Lorenzo Monnini’s (b. 1990) work reflects his interest between the language of architecture and the manifestation of political ideas through optical canons and visual iconographies, looking at hierarchies among the objects that compose the contemporary landscape. Adopting a sculptural approach to pictorial language, he works with crafted materials, repurposed imageries, and textural experimentations, referencing how different densities, opacity, colours, consistencies often sit one next to the other – sometimes in a deceptive, or illusionary form.